This program dates to the first decade of the 14th century. Peterson, Jeanette Favrot. An early icon of the Virgin as queen is in the church of Santa Maria in Trastevere in Rome, datable to 705707 by the kneeling figure of Pope John VII, a notable promoter of the cult of the Virgin, to whom the infant Christ reaches his hand. In art, a Madonna ( Italian: [madn.na]) is a representation of Mary, either alone or with her child Jesus. Over 100 Ranker voters have come together to rank this list of The Greatest Famous Works of Blessed Virgin Mary Art, The Most Awkward Movies to Watch with Your Parents, Movies Based On Books You Should Have Read In 8th Grade, Dont think about making art, just get it done. These included the Carmelites Virgin of Mount Carmel, the Conceptionists Virgin of the Immaculate Conception, and the Mercedarians Virgin of Mercy. And perhaps the closest connection they could draw was between the child Christ and Krishna. Painted during his Roman period, this Madonna does not have the strict geometrical form and linear style of his earlier Florentine treatments of the same subject. By taking a short survey, it is easy to follow advances in technical innovations as well as design. This type of depiction, with subtly changing differences of emphasis, has remained the mainstay of depictions of Mary to the present day. When it was given to the Saxon King Agustus III in 1754, it prompted a fierce debate regarding the relationship between art and religion in Germany. . Her supernatural apparition coupled with miraculous wonders, led to the production of endless images for churches, convents, schools, government palaces, and homes. [39] "The Portuguese had settled with the aim to dominate the spice trade and spread their Christian faith, and these small, portable ivory statues would embellish the church altars and Goan homes, and were also transported abroad serving to fulfil their later project. Elizabeth (and her son in her womb) recognize the miracle of Christ in Mary's womb. These figurines were carved by the Indian artists under the guidance of the Jesuits". But Quraysh were more or less insensitive to this contrast: for them it was simply a question of increasing the multitude of idols by another two; and it was partly their tolerance that made them so impenetrable. Apart from the icon of the Virgin Mary and the child Jesus, and a painting of an old man, said to be Abraham, the walls inside had been covered with pictures of pagan deities. the Theotokos of Vladimir may in English be called "Our Lady of Vladimir", while it is less usual, but not unheard of, to refer to it as the "Madonna of Vladimir".[9]. [40][39][36], Whereas, in Bengal, the Chore Bagan Art Studio, the Kansaripara Art Studio and the Calcutta Art Studio, produced homegrown prints around the second-half of the nineteenth century. The classical "Madonna" or "Theotokos" imagery develops from the 5th century, as Marian devotion rose to great importance after the Council of Ephesus formally affirmed her status as "Mother of God or Theotokos ("God-bearer") in 431. There are numerous iterations of the artwork, and you can see some of them in the Louvre and the Pierpont Morgan Library in New York City, to name just a couple of the world-famous institutions that house these variants. A gentle and refined piece, The Madonna of the Book depicts the Virgin Mary and the Christ Child relaxing in a window seat. Madonna | Renaissance Art, Iconography & Symbolism | Britannica 7th century. [38], In the book, Dhume elaborates: However, the idol of Devkikrishna originally of Chodan Island, Tiswadi taluka transferred at the time of molestation by the Christian missionaries to Mashela (Marcela in Portuguese) hamlet of Orgaon village, Ponda taluka, is interesting History says that Vasco da Gama in his old age was appointed Vice-Roy of all colonies of the Far East as a gesture of honour. "The Vatican painting gallery has the privilege of having three large scale paintings by Crivelli," Vatican Museums' Curator Guido Cornini told CNA. At this period the iconography of the Nativity was taking the form, centred on Mary, that it has retained up to the present day in Eastern Orthodoxy, and on which Western depictions remained based until the High Middle Ages. Milan, Italy: Skira, 2006. It is difficult to gauge the dates of the cluster of these earlier images, however, they seem to be primarily works of the 7th and 8th centuries. Second, they share iconography, or subject matter. The Paris Review - A Brief History of UltramarineThe World's Costliest A graduate of Harvard University, she has reported from news bureaus on three continents and was awarded the Gardner Fellowship for her work with North Korean refugees. Albany, NY: Institute for Mesoamerican Studies, University at Albany, 2001. How did painters of the renaissance see Mother Mary? [36] Nirendranath Chakraborty, one of the finest modern poets of Bengal wrote, taking forward this imagery of the mother and the child, wrote a famous poem entitled "Kolkatar Jishu" (The Jesus of Calcutta).[42]. "Through their work, the Patrons ensure that the unique spiritual and cultural mission of the Vatican Museums continues to flourish, and that these works of art endure and inspire millions each year and for generations to come," she said. Austin: University of Texas Press, 2004. San Francisco: Ignatius Press, 2016. Spanish colonial artworks referenced Spanish, Flemish, and Italian images, such as Mannerist paintings depicting the Virgin and Child swathed in pastel drapery with a crisp, paper-like rendering and elongated features. It is currently housed in the Palazzo Pitti Collection in Florence, Italy. In earlier representations the Virgin is enthroned, and the Child may be fully aware, raising his hand to offer blessing. A "Madonna" may alternatively be called "Virgin" or "Our Lady", but "Madonna" is not typically applied to eastern works; e.g. The angel who was crowning Mary on the far left in the Louvre copy was removed so that the uppermost angel in the trio on the far left could spread his wings more dramatically. Similar Designs. The socalled Madonna della seggiola shows both of them: the Virgin embraces the infant Jesus, near John the Baptist. Art. Anne-Madeleine Plum, "Kreuzzepter-Madonna--Zypertraube ind fruchtbringende Rede" and "Maria, Geheimnisvolle Rose", in Whrlin, Madonna Adoring the Sleeping Christ Child, Madonna Adoring the Child with Five Angels (Botticelli), Rest on the Flight into Egypt (Caravaggio), Holy Family with Saints Anne and John the Baptist (Mantegna), List of depictions of the Virgin and Child, Church of the Good Shepherd (Rosemont, Pennsylvania), Merriam-Webster's encyclopedia of world religions, Mariology: A Guide for Priests, Deacons, Seminarians, and Consecrated Persons, "Madonna and Child Enthroned with Four Saints", "The History of the Color Blue: From Ancient Egypt to the Latest Scientific Discoveries", "Why Jesus and Mary Always Wear Red and Blue in Art History", "Crescent Moon: Meaning: University of Dayton, Ohio", "The Madonna and Child Miniature in the Book of Kells: Part I", "National Gallery of Art, Washington D.C.", "The Art Is Striking, and So Are the Cars", "NM History Museum unveils rare colonial paintings of Mary", http://nebraskaepiscopalian.org/?cat=32&paged=2, "Rabindranath Tagore - Verses - Fireflies - 26 (the child ever dwells)", "Christian art in India: Indo-Portuguese ivory statuettes (article)", "Mary on the moon: ivory statuettes of the Virgin Mary", " - ", https://en.wikipedia.org/w/index.php?title=Madonna_(art)&oldid=1161009755, One type of Madonna shows Mary alone (without the child Jesus), and standing, generally glorified and with a gesture of prayer, benediction or prophesy. Mary and Elizabeth, who are cousins, meet, as shown in this fifteenth-century manuscript illumination. Arnolfini Portrait by Jan van Eyck Front Royal, VA: Christendom Press, 2002. One of just three paintings that have been positively identified as by Giorgione. He has painted the peice outside of time and place. This is then sent to donors, who can commit to funding the restoration of a particular work of art. Byzantine manuscripts, ivories, gold, silver and luxurious textiles were distributed throughout the West. These Marian devotions display overt examples of both indigenous and European mestizaje (mixing), which contributed to local cultural expressions, negotiations, and inventions. Katzew, Ilona, Jaime Cuadriello, Paula Mues Orts, Luisa Elena Alcala, and Ronda Kasl. Later in the Middle Ages, the Cretan school was the main source of icons for the West, and the artists there could adapt their style to Western iconography when required. Guadalupe. It was sold to the National Gallery in 1865 after about five decades of ownership by the Lord and Lady Garvagh, The Madonna della seggiola or Madonna della sedia is a Madonna painting by the Italian renaissance artist Raphael, dating to c. 1513-1514 and housed in the Palazzo Pitti collection in Florence. 1301 Guadalupe St., San Antonio, TX. Artists and artisans reproduced popular Marian devotions such as the Virgin of Sorrows, which followed European Baroque theatricality, naturalism, and a penchant for idealized faces. The painting in the IMAS presents a pastel color palette and a complex composition reminiscent of the Mannerist period. While the range of religious subject matter included subjects from the Old Testament and images of saints whose cults date after the codification of the Bible, the Madonna remained a dominant subject in the iconography of the Renaissance. The Virgin Mary is depicted sitting on a throne and seemingly agreeing with Saint Dominic, who is shown here in full habit and holding a rosary. [37], "An impressive idol of Devaki, carrying the infant lord on her waist, stands at the inner sanctum of the temple. During the late Middle Ages, the religion of the virgin and the art created to honor her rose to prominence, and these designations are a direct reflection of that. Katzew, Illona, and Luisa Elena. .mw-parser-output .smallcaps{font-variant:small-caps}incomplete. The restoration of the Crivelli paintings involved removing the "over-painting" from previous restorations to recover the original vibrant colors under the surface. According to reports collected by Ibn Ishaq and al-Azraqi, Muhammad did, however, protectively put his hand over a painting of Mary and Jesus, and a fresco of Abraham in order to keep them from being effaced. Alcala. Object and Apparition: Envisioning the Christian Divine in the Colonial Andes. Main Menu > ARTISTS > Baroque; Rembrandt; Vermeer; Caravaggio; Rubens; Van Dyck; Van Aelst; Carracci; . Perhaps his best known pieces are "The Annunciation, with Saint Emidius" (1486) and "Saint Thomas Aquinas" (1476). The spectator, after all, is meant to sympathize, to share in the despair of the mother who holds the body of her crucified son. The Madonna is accompanied most often by the infant Christ, but there are several important types that show her alone. The Guadalupes influence continued to be instrumental in the Chicano (Mexican American) Movement which began in the 1960s, as artists juxtaposed Baroque iconography with commercial ready-made objects such as the Carta Blanca bottle caps as a commentary on cultural consumption and identity. Virgin and Child with Angels and Saints, Felice Torelli, 17th century, A fresco of a black Madonna and Jesus at the Church of Our Lady Mary of Zion in Axum, Ethiopia. Mary is shown sitting on a chair, with Jesus on her lap. : Tan Books, 2011. The plums symbolize the maternal love between Mary and Jesus, the cherries signify Christs blood or an allusion to paradise, and the figs are emblematic of the resurrection. Colonists used these devotional images as visual displays of spiritual piety and storytelling. [36] Art historian Gauvin Alexander Bailey notes that the Jesuit art commissions were . The Aldobrandini Madonna is a painting from about 1509-1510 oil by the Italian renaissance artist Raphael. In some European countries, such as Germany, Italy and Poland sculptures of the Madonna are found on the outside of city houses and buildings, or along the roads in small enclosures. There are several distinct types of representation of the Madonna. . As part of this free service you may receive occasional offers from us at EWTN News and EWTN. "It is more than presenting the painting with a superficial cleaning," he said. She is dressed as a bride and has an open crown of flowers and stars. These images are central icons for both the Catholic and Orthodox churches. Baroque Italian painter Artemisia Gentileschi is hailed as a feminist icon based on her portrayal of the female hero, who through violence enacts symbolic revenge against men, and her supposed defiance of Counter-Reformation taboos. [36], There also exists a temple in Goa, the Shree Devakikrishna Temple at Marcel, where seeing the idol of Krishna-Devaki, the Portuguese had not decimated the temple, for it had reminded them of Virgin Mary-Jesus. UTRGV | The Virgin Mary: Art, Materiality, and Piety This painting shows the Virgin Mary with child versions of Christ and John the Baptist in an Italian landscape. Renaissance art, painting, sculpture, architecture, music, and literature produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man. By the next century the iconic depiction of the Virgin enthroned carrying the infant Christ was established, as in the example from the only group of icons surviving from this period, at Saint Catherine's Monastery in Egypt. [1] The word is from Italian ma donna 'my lady' (archaic). Llewellyn, Claire. The establishment of the Spanish viceroyalties ushered in the creation of new popular devotions and art production depicting the Virgin Mary in the Americas in the Early Modern period. Los Angeles: Los Angeles County Museum of Art, 2011. He tucked the drawing. Painting the Life of Christ in Medieval and Renaissance Italy Originally, the Virgin of Guadalupe was venerated amongst creoles (Europeans born in the colonies) and later became the patroness of Mexico, the Americas, and the Philippines. The roughly half-dozen varied icons of the Virgin and Child in Rome from the 6th8th century form the majority of the representations surviving from this period; "isolated images of the Madonna and Child are so common to the present day in Catholic and Orthodox tradition, that it is difficult to recover a sense of the novelty of such images in the early Middle Ages, at least in western Europe".[18]. Our Lady of Guadalupe and the Conquest of Darkness. Denver: Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art, Denver Art Museum, 2004. Botanical Imagery in European Painting | Essay | The Metropolitan Category : Renaissance paintings of Virgin Mary - Wikimedia Prominent examples of localized Marian devotions include the Virgin of Guadalupe in Mexico, the Virgin of Pomata in Peru, whose crown of multi-colored plumes are of Inca origin, and the winged Virgin of the Apocalypse throughout the Spanish colonial milieu. religious art: Italian Renaissance: Virgin Mary woman Christ Child boy mother: painting: Saint Christopher and the Infant Christ: Metropolitan Museum of Art: 80.3.674 1473 fresco: religious art: Italian Renaissance: Christ Child boy Saint Christopher river Jesus: painting: Saints Stephen, James, and Peter: Galleria dell'Accademia: 1493 . The privileged owner need not go to Church to say his prayers or plead for salvation; all he or she had to do was open the shutters of the tabernacle in an act of private revelation. Virgin Mary Paintings for Sale | Fine Art America Sacred Heart of Mary and Jesus Painting. The "Adoring Madonna" is a type popular during the Renaissance. Virgin Mary Paintings - 10 Most Famous by artst Madonnas depict Mary, either by herself or with Jesus. Both vertically aligned layouts allow for the panels to be folded outward and combined in a wide variety of configurations. $11. Pietro Perugino, Delivery of the Keys, c. 1481-1482 The subject was equally popular in Early Netherlandish painting and that of the rest of Northern Europe. These artists, were influenced by the various depictions of Christ in the European prints which had infiltrated the market of the time. This mantle typically covers her head, where sometimes, one might see a linen, or later, transparent silk veil. The Virgin Mary and the Incarnation of Christ were also frequently portrayed, though the Passion of Christ (and his resurrection) most frequently provided the backdrop for the mystery of Transubstantiation celebrated on the altar. Boston, Mass. Annunciation in Christian art - Wikipedia She holds the Christ Child, or Baby Jesus, who shares her halo as well as her regal bearing. Unique Iberian devotions included: the Virgin of Solitude, the Virgin of Guadalupe Extremadura, the Virgin of the Rule, the Virgin of the Pillar, the Virgin of Remedies, the Virgin of Montserrat, the Divine Shepherdess, Our Lady of Arantzau and the child Mary depicted in her life and death. San Francisco: Ignatius Press, 2009. This depiction of Mary may have been inspired by the one in Robert Campins Virgin Annunciate. The Christ Child wears the crown of thorns and holds the three nails of the cross to represent Christs crucifixion. The painting, one of Botticelli's earliest, reveals Botticelli's close artistic relationship with his teacher, Filippo Lippi, and is modelled on the latter's The Virgin and Child with Two Angels. These images, usually small and intended for personal devotion, show Mary kneeling in adoration of the Christ Child. The duo are shown inside a castle that is perched on top of a mountain or hill, creating a striking contrast between light and dark. In it, Mary is shown nursing a young Jesus. 15th-century paintings of Virgin Mary by artist, Paintings of Virgin Mary by Carlo Crivelli, Paintings of Virgin Mary by Alessandro Allori, Paintings of Virgin Mary by William-Adolphe Bouguereau, Paintings of Virgin Mary by Agnolo Bronzino, Paintings of Virgin Mary by Vittore Carpaccio, Paintings of Virgin Mary by Annibale Carracci, Paintings of Virgin Mary by Joos van Cleve, Paintings of Virgin Mary by Eugne Delacroix, Paintings of Virgin Mary by Luca Giordano, Paintings of Virgin Mary by Joan de Joanes, Paintings of Virgin Mary by Jacob Jordaens, Paintings of Virgin Mary by Leonardo da Vinci, Paintings of Virgin Mary by Simone Martini, Paintings of Virgin Mary by Luis de Morales, Paintings of Virgin Mary by Palma il Giovane, Paintings of Virgin Mary by Nicolas Poussin, Paintings of Virgin Mary by Raffaello Sanzio, Paintings of Virgin Mary by Antoniazzo Romano, Paintings of Virgin Mary by Giulio Romano, Paintings of Virgin Mary by Peter Paul Rubens, Paintings of Virgin Mary by Juan de Valds Leal, Paintings of the Adoration by the shepherds by century, Paintings of the Assumption of Mary by century, Paintings of the Coronation of Mary by century, Paintings of Dormition of Virgin Mary by century, Paintings of Education of Virgin Mary by century, Paintings of Madonna and Child by century, Paintings of the Marriage of the Virgin by century, Paintings of Our Lady of the Pillar by century, Paintings of Presentation of Virgin Mary by century, Paintings of Our Lady of the Rosary by century, Paintings of Our Lady of the Rosary by country, Paintings of the Assumption of Mary by country, Paintings of the Coronation of Mary by country, Paintings of Dormition of Virgin Mary by country, Paintings of Education of Virgin Mary by country, Paintings of Our Lady of Guadalupe by country, Paintings of the life of the Virgin Mary by country, Paintings of Madonna and Child by country, Paintings of the Marriage of the Virgin by country, Paintings of Our Lady of Mercy by country, Paintings of Our Lady of the Pillar by country, Paintings of Virgin Mary in the Czech Republic, Paintings of Virgin Mary in the Dominican Republic, Paintings of Virgin Mary in the Netherlands, Paintings of Virgin Mary in the Philippines, Paintings of Presentation of Virgin Mary by country, Paintings of Virgin Mary in the United Kingdom, Paintings of Virgin Mary in the United States, Paintings of Virgin Mary in the Vatican City, Paintings of Virgin Mary in the Cleveland Museum of Art, Paintings of Virgin Mary in the Metropolitan Museum of Art, Paintings of Virgin Mary in the National Gallery of Art, Paintings of Virgin Mary in the National Gallery, London, Paintings of Virgin Mary in the National Museum of Capodimonte (Naples), Paintings of Virgin Mary in the Nationalmuseum Stockholm, Paintings of Virgin Mary in the Philadelphia Museum of Art, Early Netherlandish paintings of Virgin Mary, Paintings of Saint Luke painting the Virgin, Frescos of the presentation of Jesus Christ at the Temple, Frescos of the Presentation of Virgin Mary, Frescos of the Litany of the Blessed Virgin Mary, Vie de la Vierge (Notre-Dame-de-l'Assomption, Monswiller), Prefigurations of the Virgin Mary in Maria Hilf (Klosterlechfeld), Resurrection of Christ and Women at the Tomb by Fra Angelico (San Marco cell 8), Paintings of the Crucifixion with Virgin Mary, Saint John and Mary Magdalene, 14th-century paintings of the Crucifixion with Virgin Mary, Saint John and Mary Magdalene, 15th-century paintings of the Crucifixion with Virgin Mary, Saint John and Mary Magdalene, 16th-century paintings of the Crucifixion with Virgin Mary, Saint John and Mary Magdalene, 17th-century paintings of the Crucifixion with Virgin Mary, Saint John and Mary Magdalene, 18th-century paintings of the Crucifixion with Virgin Mary, Saint John and Mary Magdalene, 19th-century paintings of the Crucifixion with Virgin Mary, Saint John and Mary Magdalene, Lamentation (Gerard David - Philadelphia Museum of Art), Gloria della Vergine con l'arcangelo Michele che vince sul demonio tentatore, Madonna and Child in Glory - Francesco Botticini - Louvre INV 590, Madonna and Child in Glory with Saint Bruno by Guercino (Pinacoteca Nazionale, Bologna), Madonna and Child in glory with Saints (Scarani Altarpiece) by Pietro Perugino (Pinacoteca Nazionale - Bologna), Madonna and Child with Saints and Donator by Daniele Crespi, Madonna and Saints by Lorenzo Lotto (Sedrina), Madonna and Saints by Niccol Circignani (Umbertide), Madonna col Bambino in gloria e santi (Salmeggia), Madonna in Glory by Amico Aspertini (Museo Nazionale di Villa Guinigi), Madonna in Glory with Saint John the Baptist and Saint Stephan - Michelangelo Anselmi - Louvre INV 67, Madonna in glory, Angels and Martyrs by Volterrano, Madonna with Child and saints (Moretto da Brescia - Pinacoteca Tosio Martinengo), Paintings of the Virgin Mary with Saint Joachim and Saint Anne, Paintings of Madonna and Child with Saint Anne, Paintings of the Crucifixion with Virgin Mary and Saint John, Christ on the Cross with Mary and St John by Altdorfer, Crucifixion by Antonello da Messina (National Gallery, London), Paintings of the Adoration of the Magi with putti, Paintings of Adoration by the Shepherds with putti, Paintings of Assumption of Mary with putti, Paintings of the Flight into Egypt with putti, Paintings of Madonna and Child with putti, The Marriage of the Virgin - Luca Giordano - Louvre MI 868, Paintings of the nativity of Jesus Christ with putti, Raphael's Disputation of the Holy Sacrament, Sorrowful Madonna and Saint John by Sassetta, glise Saint-Martin de Bonneuil-sur-Marne, National Museum of Art, Architecture and Design, Order of the Blessed Virgin Mary of Mercy, collection of the National Gallery Prague, National Library of Wales Framed works of art collection, https://commons.wikimedia.org/w/index.php?title=Paintings_of_Virgin_Mary&oldid=702297471, Creative Commons Attribution-ShareAlike License, painting by Unknown artist of the Italian-Cretan School, by an unknown artist, showing the pregnant Virgin Mary, painting attributed to Aertgen Claesz. For the Crivelli pieces, the restoration process consisted of many stages, Cornini explained. Sometimes, the Madonna's complex bond with her tiny child takes the form of a close, intimate moment of tenderness steeped in sorrow where she only has eyes for him. First painted on wood panel, it was later transferred to canvas. [31][32] In the words of the historian Barnaby Rogerson, "Muhammad raised his hand to protect an icon of the Virgin and Child and a painting of Abraham, but otherwise his companions cleared the interior of its clutter of votive treasures, cult implements, statuettes and hanging charms. Examples include, Girlhood of Mary, is iconography that features the Virgin Mary as a child, often learning needlework, and examples include, This page was last edited on 20 June 2023, at 01:51. What makes this piece so much different from many others in the Renaissance is not only that its Northern I'm pretty sure but that it is an abstraction. Was: $68.00. One day, he visited Chodan Island. First, the earliest surviving independent images of the Virgin Mary are found in Rome, the center of Christianity in the medieval West. Both paintings show the Madonna and Child Jesus with the infant John the Baptist and an angel, in a rocky setting which gives the paintings their usual name. Two works painted by Renaissance master Raphael have been newly identified after art experts restored famous frescoes in the Apostolic Palace of Vatican City. The heavenly redemption depicted in the inner panels higher register features God (portrayed as Christ the King or God the Father), Mary, and John the Baptist in a classical Deisis grouping. She is found high above the apse, or east end of the church where the liturgy is celebrated in the West. The Madonna and Child with an Angel is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1465-1467. Similar Designs. [23] The variety in such statues is as great as in other Madonna images; one finds Madonnas holding grapes (in reference to the Song of Songs 1:14, translated as "My lover is to me a cluster of henna blossoms" in the NIV), "immaculate" Madonnas in pure, perfect white without child or accessories, and Madonnas with roses symbolizing her life determined by the mysteries of faith. Madonna, in Christian art, depiction of the Virgin Mary; the term is usually restricted to those representations that are devotional rather than narrative and that show her in a nonhistorical context and emphasize later doctrinal or sentimental significance. The facial expressions and body language, conveyed with a fluid and precise naturalism, are both remarkably human and spiritually expressive. The paintings are both nearly 2 metres high and are painted in oils. "U.S. His painting The Entombment, the story goes, was left unfinished as the result of his failure to procure the prized pigment. While the 15th and 16th centuries were a time when Italian painters expanded their repertoire to include historical events, independent portraits and mythological subject matter, Christianity retained a strong hold on their careers. Phone: 210-271-3151. Later, it found its way into the hands of Cardinal Scipione Borghese, who had it framed and hung in his palazzo (Galleria Borghese). It has recently been moved to the Uffizi Gallery in Florence, Italy. Many such images were produced in glazed terracotta as well as paint.

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